Publications


Ouvrages

[O1] Y. Berthaud, C. Baron, F. Bouchelaghem, J-L. Le Carrou, B. Daunay et E. Sultan. Mini Manuel de Mécanique des solides. Dunod 2009

[O1_2ndEdition] Y. Berthaud, C. Baron, F. Bouchelaghem, J-L. Le Carrou, B. Daunay et E. Sultan. Mini Manuel de Mécanique des solides - 2e édition. Dunod 2014

Chapitre dans des ouvrages

[ChO1] D. Chadefaux, J-L. le Carrou, B. Fabre et L. Daudet. Investigation of the Harpist/Harp Interaction. Sound, Music and Motion, Lecture Notes in Computer Science 8905, pp. 3-19, Springer 2014.
10.1007/978-3-319-12976-1

[ChO2] S. Vaiedelich, H. Boutin, A. Paté, A. Givois, B. Fabre, S. Le Conte, J-L. Le Carrou. FA-RE-MI (Faire parler les instruments de musique du patrimoine): Making historical musical instruments speak. Wooden Musical Instruments different forms of knowledge - Book of end of WoodMusICK COST Action FP 1302, pp.325-342, 2018
hal-02086598

Articles dans des revues internationales à comité de lecture

[A1] J-L. Le Carrou, F. Gautier, N. Dauchez et J. Gilbert. Modelling of sympathetic string vibrations. Acta Acustica united with Acustica, 91(2), pp. 277-288 (2005).
Acta Acustica united with Acustica / hal-00474982

[A2] J-L. Le Carrou, F. Gautier et E. Foltête. Identification of A0 and T1 modes of the concert harp. Journal of the Acoustical Society of America, 121(1), pp. 559-567 (2007).
10.1121/1.2384842 / hal-01565191 / Article

[A3] J-L. Le Carrou, F. Gautier et R. Badeau. Sympathetic modes in the concert harp. Acta Acustica united with Acustica, 95(4), pp. 744-752 (2009).
10.3813/AAA.918202 / hal-00945199

[A4] J-L. Le Carrou, Q. Leclere et F. Gautier. Some characteristics of the concert harp's acoustic radiation. Journal of the Acoustical Society of America, 127(5), pp. 3203-3211 (2010).
10.1121/1.3377055 / hal-00558493 / Article

[A5] D. Chadefaux, J-L. Le Carrou, B. Fabre et L. Daudet. Experimentally based description of harp plucking. Journal of the Acoustical Society of America, 131(1), pp. 844-855 (2012).
10.1121/1.3651246 / hal-01565202 / Article

[A6] D. Chadefaux, J-L. Le Carrou et B. Fabre. A model of harp plucking. Journal of the Acoustical Society of America, 133(4), pp. 2444-2455 (2013).
10.1121/1.4792249 / hal-01565206 / Article

[A7] D. Chadefaux, J-L. Le Carrou, B. Fabre, M. Wanderley et L. Daudet. Gestural strategies in the harp performance. Acta Acustica united with Acustica, 99, pp. 986-996 (2013).
10.3813/AAA.918677 / hal-01461749

[A8] A. Paté, J-L. Le Carrou et B. Fabre. Predicting the decay time of solid body electric guitar tones. Journal of the Acoustical Society of America, 135(5), pp. 3045-3055 (2014).
10.1121/1.4871360 / hal-01461740 / Article

[A9] J-L. Le Carrou, D. Chadefaux, L. Seydoux et B. Fabre. A low-cost high-precision measurement method of string motion. Journal of Sound and Vibration, 333(17), pp. 3881-3888 (2014).
10.1016/j.jsv.2014.04.023 / hal-01461744

[A10] A. Paté, J-L. Le Carrou, B. Navarret, D. Dubois et B. Fabre, Influence of the electric guitar's fingerboard wood on guitarists' perception, Acta Acustica united with Acustica, 101(2), pp. 347-359 (2015).
10.3813/AAA.918831 / hal-01461735

[A11] B. Chomette et J-L. Le Carrou. Operational modal analysis applied to the concert harp. Mechanical systems and signal processing, 56-57, pp. 81-91 (2015).
10.1016/j.ymssp.2014.10.011 / hal-01565212

[A12] A. Paté, J-L. Le Carrou, F. Teissier et B. Fabre, Evolution of the modal behaviour of nominally identical electric guitars during the making process, Acta Acustica united with Acustica, 101 (3), pp. 567-580 (2015)
10.3813/AAA.918853 / hal-01461737

[A13] A. Paté, J-L. Le Carrou, et B. Fabre, Modal parameter variability in industrial electric guitar making: manufacturing process, wood variability, and lutherie decisions, Applied Acoustics, 96, pp. 118-131 (2015).
10.1016/j.apacoust.2015.03.023 / hal-01148234

[A14] A. Paté, L. Boschi, J-L. Le Carrou et B. Holtzman, Categorization of seismic sources by auditory display: a blind test, International Journal of Human-Computer Studies, 85, pp. 57-67 (2016).
10.1016/j.ijhcs.2015.08.002 / hal-01269814

[A15] D. Chadefaux, G. Rao, J-L. Le Carrou, E. Berton et L. Vigorous, The effects of player grip on the dynamic behavior of a tennis racket, Journal of sports sciences, 35(12), pp. 1155-1164 (2017).
10.1080/02640414.2016.1213411 / hal-01440222

[A16] C. Issanchou, S. Bilbao, J-L. Le Carrou, C. Touzé et O. Doaré, A modal-based approach for the non linear vibration of strings against a unilateral obstacle: simulations and experiments in the pointless case, Journal of Sound and Vibration, 393, pp. 229-251 (2017).
10.1016/j.jsv.2016.12.025 / hal-01461730

[A17] A. Paté, J-L. Le Carrou, A. Givois et A. Roy. Influence of plectrum shape and jack velocity on the sound of the harpsichord: an experimental study. Journal of the Acoustical Society of America, 141(3), pp. 1523-1534 (2017).
10.1121/1.4976955 / hal-01565218 / Article

[A18] A. Paté, L. Boschi, D. Dubois, J-L. Le Carrou et B. Holtzman, Auditory display of seismic data: on the use of experts' categorizations and verbal descriptions as heuristics for geoscience. Journal of the Acoustical Society of America, 141(3), pp. 2143-2162 (2017).
10.1121/1.4978441 / hal-01522831v1 / Article

[A19] H. Boutin, S. Le Conte, S. Vaiedelich, B. Fabre et J-L. Le Carrou, Acoustic dissipation in wooden pipes of different species used in wind instrument making: an experimental study, Journal of the Acoustical Society of America, 141(4), pp. 2840-2848 (2017).
10.1121/1.4981119 / hal-01522816 / Article

[A20] A. Paté, A. Givois, S. Le Conte, J-L. Le Carrou, M. Castellengo et S. Vaiedelich, Perception of harpsichord plectra voicing, Acta Acustica united with Acustica, 103, pp. 685-704 (2017).
10.3813/AAA.919097 / hal-01565228

[A21] J-L. Le Carrou, S. Le Conte et J. Dugout, 18th and 19th French Harp classification using vibration analysis, Journal of Cultural Heritage, Wooden Musical Instruments Special Issue, 27S, pp. S112-S119 (2017).
10.1016/j.culher.2017.04.007 / hal-01525860

[A22] L. Boschi, L. Delcor, J-L. Le Carrou, C. Fritz, A. Paté et B. Holtzman, On the perception of audited seismograms, Seismological Research Letters, 88(5), pp. 1279-1289 (2017).
10.1785/0220170077

[A23] C. Issanchou, J-L. Le Carrou, C. Touzé, B. Fabre et O. Doaré, String/frets contacts in the electric bass sound: Simulations and experiments, Applied Acoustics, 129, pp. 217-228 (2018).
10.1016/j.apacoust.2017.07.021 / hal-01582578

[A24] C. Issanchou, V. Acary, F. Pémignon, C. Touzé et J-L. Le Carrou, Nonsmooth contact dynamics for the numerical simulation of collisions in musical string instruments. Journal of the Acoustical Society of America, 143(5), pp. 3195-3205 (2018).
10.1121/1.5039740 / hal-01806133 / Article

[A25] J-L. Le Carrou, A. Paté et B. Chomette, Influence of the player on the dynamics of the electric guitar. Journal of the Acoustical Society of America, 146(5), pp. 3123-3130 (2019).
10.1121/1.5130894 / hal-02495624 / Article

[A26] J-T. Jiolat, C. D'Alessandro, J-L. Le Carrou et J. Antunes, Toward a physical model of the clavichord. Journal of the Acoustical Society of America, 150(4), pp. 2350-2363 (2021).
10.1121/10.0006438 / hal-03369924v1 / Article

[A27] J-T. Jiolat, J-L. Le Carrou et C. d'Alessandro, Whistling in the clavichord. Journal of the Acoustical Society of America, 153(1), pp. 338-347 (2023).
10.1121/10.0016825 / hal-03947709v1 / Article

[A28] C. Consigny, N. Ouvrai, A. Paté, C. Frirz et J-L. Le Carrou, Vibrotactile threasholds on the wrist for vibrations normal to the skin. IEEE Transactions on Haptics, pp. 1-6 (2023)
10.1109/TOH.2023.3275185 / hal-04115270/

[A29] D. Chadefaux, C. Pothrat , S. Shayegan et J-L. Le Carrou, Forearm muscles activity of harp players. Computer Methods in Biomechanics and Biomedical Engineering (2023)
10.1080/10255842.2023.2258252

[A30] F. Fabre, J-L. Le Carrou et B. Chomette, Physical modelling of a harp from Central Africa. Journal of the Acoustical Society of America, 154(4), pp.2337-2348 (2023)
101121/10.0021332 / hal-04248816/

Conférences internationales avec actes et comité de lecture

[AB1] D. Chadefaux, J-L. Le Carrou, M-A. Vitrani, S. Billout et L. Quartier. Harp plucking robotic finger. IEEE/RSJ Intelligent Robots and Systems (IROS), Vilamoura, Portugal (2012).
10.1109/IROS.2012.6385720 / hal-01170724

[AB2] A. Paté, J-L. Le Carrou et B. Fabre. Ebony vs. rosewood: experimental investigation about the influence of the fingerboard on the sound of a solid body electric guitar. Stockholm Music Acoustics Conference (SMAC) 2013.

[AB3] D. Chadefaux, J-L. Le Carrou, S. Le Conte et M. Castellengo. Analysis of the harpsichord plectrum-string interaction. Stockholm Music Acoustics Conference (SMAC) 2013.

[AB4] D. Chadefaux, A. Roy, J-L. Le Carrou, M-A Vitrani et B. Fabre. Bio-inspired robot to study stringed instruments: application to the harp. Stockholm Music Acoustics Conference (SMAC) 2013.

[AB5] D. Chadefaux, J-L. Le Carrou, B. Fabre et L. Daudet. Investigation of the Harpist/Harp Interaction. International Symposium on Computer Music Multidisciplinary Research (CMMR), Marseille, France, 2013.
10.1007/978-3-319-12976-1_1 / hal-01461741

[AB6] A. Paté, J-L. Le Carrou, B Fabre. Modal parameter variability in industrial electric guitar manufacturing. International Conference on Noise and Vibration Engineering (ISMA) / Uncertainty in Structural Dynamics (USD), Leuven, Belgium (2014)

[AB7] L. Boschi, A. Paté, B. Holtzman et J-L. Le Carrou. Can auditory display help us categorize seismic signals?. International Conference on Auditory Display (ICAD-2015), Graz, Austria (2015)

[AB8] C. Issanchou, J-L. Le Carrou, S. Bilbao, C. Touzé et O. Doaré. A modal approach to the numerical simulation of a string vibrating against an obstacle: applications to sound synthesis. International Conference on Digital Audio effects (DAFx-16), Brno, Czech Republic, 2016.

[AB9] D. Chadefaux, C. Pothrat et J-L. Le Carrou, Stringing and dynamics effects on forearm muscular activity during harp playing, Computer Methods in Biomechanics and Biomedical Engineering 23 - 45th Congress of the Société de Biomécanique (2020)
10.1080/10255842.2020.1812159

[AB10] B. Rohou-Claquin, M. Auvray, J-L. Le Carrou, D. Gueorguiev. Perception of Guitar Strings on a Flat Visuo-Haptic Display. In: Saitis, C., Farkhatdinov, I., Papetti, S. (eds) Haptic and Audio Interaction Design. HAID 2022. Lecture Notes in Computer Science, vol 13417. Springer (2022)
10.1007/978-3-031-15019-7_13

[AB11] M. Mayet, J-L. Le Carrou et D. Gueorguiev. Perception of friction-related cues induced by temperature variation on a surface display. Technical paper at the 2023 IEEE World Haptics Conference (WHC 2023), Delft, Netherlands, Juillet 2023
hal-04162171

Conférences internationales avec actes

[B1] J-F. Petiot, E. Poirson, J-L. Le Carrou et J. Gilbert. Differentiation of trumpet's sounds: Experimental study with an adaptable depth mouthpiece. Stockholm Music Acoustics Conference 03, Stockholm, pp. 229-232 (2003).

[B2] J-L. Le Carrou, F. Gautier, J. Gilbert et J.R.F. Arruda. Low frequency model of the sound radiated by a concert harp. Forum Acusticum, Budapest, pp. 513-517 (2005).

[B3] J-L. Le Carrou, F. Gautier et N. Dauchez. Acoustic radiation of the concert harp in the low frequency range. International Conference on Sound and Vibrations 12, Lisbonne (2005).

[B4] J-L. Le Carrou, F. Gautier et R. Badeau. Theoretical and experimental investigations of harp's sympathetic modes. Papier invité pour International Congress on Acoustics 07, Madrid (2007).

[B5] J-L. Le Carrou, F. Gautier, F. Kerjan et J. Gilbert. The finger-string interaction in the concert harp. International Symposium on Musical Acoustics, Barcelone (2007).

[B6] J-L. Le Carrou, E. Walhen, E. Brasseur et J. Gilbert. Two dimensional finger-string interaction of the concert harp. Papier invité pour Acoustics 08, Paris (2008).

[B7] Q. Leclere, J-L. Le Carrou et F. Gautier. Study of a concert harp's radiation using acoustic imaging methods. Acoustics 08, Paris (2008).

[B8] D. Chadefaux, J-L. Le Carrou, B. Fabre, L. Daudet et L. Quartier. Experimental study of the plucking of the concert harp. 20th International Symposium on Music Acoustics (Associated Meeting of the International Congress on Acoustics), Sydney and Katoomba, Australia (2010)

[B9] J-L Le Carrou, F. Gautier, J. Dugot, S. Le Conte et J. francois. Vibratory study of harp's soundboxes. 20th International Symposium on Music Acoustics (Associated Meeting of the International Congress on Acoustics), Sydney and Katoomba, Australia (2010)

[B10] F. Gautier, J-L. Le Carrou, A. Elmaian et F. Bousquet. Acoustics of the Cristal Baschet. 20th International Symposium on Music Acoustics (Associated Meeting of the International Congress on Acoustics), Sydney and Katoomba, Australia (2010)

[B11] A. Paté, B. Navarret, R. Dumoulin, J-L. Le Carrou, B. Fabre et V. Doutaut. About the electric guitar: a cross-disciplinary context for an acoustical study. Acoustics 2012, Nantes, France (2012)

[B12] A. Paté, J-L Le Carrou, B. Navarret, D. Dubois et B. Fabre. A vibro-acoustical and perceptive Study of the neck-to-body Junction of a solid-body electric Guitar. Acoustics 2012, Nantes, France (2012)

[B13] D. Chadefaux, M. Wanderley, J-L. Le Carrou, B. Fabre et L. Daudet. Experimental study of the musician/instrument interaction in the case of the concert harp. Acoustics 2012, Nantes, France (2012)

[B14] J-L. Le Carrou, D. Chadefaux, M-A. Vitrani, S. Billout et L. Quartier. DROPIC: A tool for the study of string instruments in playing conditions. Acoustics 2012, Nantes, France (2012) 8

[B15] A. Paté, J.-L. Le Carrou, F. Teissier et B. Fabre. Monitoring of the making process of a handcrafted electric guitar. International Symposium on Music Acoustics, Le Mans, France (2014)

[B16] A. Roy, J.-L. Le Carrou, B. Fabre et M.-A. Vitrani. Mechanical Analysis of the Voicing Process in the Harpsichord. International Symposium on Music Acoustics, Le Mans, France (2014)

[B17] J-L. Le Carrou, B. Chomette et A. Paté. Influence of the instrumentalist on the electric guitar vibratory behaviour. International Symposium on Music Acoustics, Le Mans, France (2014)

[B18] J-L. Le Carrou et S. Le Conte. 18th and 19th french harp classification using vibratory analysis. Multidisciplinary approach to wooden musical instrument, FPS cost action FP1302 - WoodMusick, Cremona, Italy (2014)

[B19] H. Boutin, S. Le Conte, B. Fabre et J-L. Le Carrou. Influence of the surface condition in bore of woodwind instruments on the acoustic impedance. Effects of playing on early and modern musical instruments, FPS cost action FP1302 - WoodMusick, London, Grande Bretagne (2015)

[B20] A. Paté, A. Givois, J-L. Le Carrou, S. Le Conte et S. Vaiedelich. Harpsichord voicing: the player's audtivie and tactile perception. International Symposium on Musical and Room Acoustics, La Plata, Argentine (2016)

[B21] J-L. Le Carrou, C. Issanchou, C. Touzé et O. Doaré. Non linear vibration of strings against obstacles in plucked string instruments. International Conference on Nonlinear Vibrations, Localization and Energy Transfer, Marseille, France (2019)

[B22] D. Chadefaux et J-L. Le Carrou. Kinematical strategies during harpists' performance. International Congress on Sound and Vibration, Montreal, Canada (2019)

[B23] J-T. Jiolat, J-L. Le Carrou et C. d'Alessandro. A parametric study of finger motions when playing the clavichord : towards characterization of expressive control. International Symposium on Music Acoustics, Detmold, Germany (2019)

Conférences nationales avec actes (extrait)

[C3] J-L. Le Carrou, F. Gautier et R. Badeau. Analyse des modes de cordes couplées d'une harpe par une méthode haute résolution. Congrès Français d'Acoustique, Tours, pp.581-584 (2006).

[C6] J-L. Le Carrou, J. Frelat, A. Mancel et B. Navarret. Guitare électrique: quel rôle pour les éléments de lutherie? Congrès Français d'Acoustique, Lyon (2010).

[C8] Q. Leclère, J-L. Le Carrou et P-A. Roiron. Caractérisation expérimentale de la réponse d'une corde vibrante sollicitèe par un plectre. Congrès Français de Mécanique, Besançon (2011).

[C14] C. Issanchou, S. Bilbao, O. Doaré, J-L. Le Carrou et C. Touzé. Méthode modale mixte pour le contact unilatéral corde/obstacle: application au chevalet courbe. Congrès Français d'Acoustique, Le Mans (2016).

[C15] A. Givois , A. Paté, J-L. Le Carrou, S. Le Conte et S. Vaiedelich. Un dispositif de mesures des caractéristiques géométriques et mécaniques de becs de clavecin. Congrès Français d'Acoustique, Le Mans (2016).

[C16] J-L. Le Carrou, M. Pamies-Vila et D. Chadefaux. Etude du jeu du harpiste. Congrès Français d'Acoustique, Le Mans (2016)

[C17] C. Issanchou , J-L. Le Carrou, C. Touzé, B. Fabre et O. Doaré. Méthode modale mixte pour la simulation numérique de contacts multiples entre une corde vibrante et un obstacle. Colloque National en Calcul des Structures, Giens (2017).

[C18] J-T. Jiolat, C. d'Alessandro et J-L. Le Carrou. L'effet acoustique des cordes mortes du clavicorde. Congrès Français d'Acoustique, Le Havre (2018).

[C19] J-L. Le Carrou, D. Bedoya, M-F. Mifune et S. Le Bomin. Acoustique des harpes d'Afrique centrale: éEtude préliminaire. Congrès Français d'Acoustique, Le Havre (2018).

[C21] G. Rocheman, J-L. Le Carrou, B. David. Analyse et catégorisation du geste: application à la harpe de concert. Congrès Français d'Acoustique, Le Havre (2018).

[C22] J-T Jiolat J.-L. Le Carrou, C. d’Alessandro. Vibrations par sympathie dans le clavicorde. Congr&eagrave;s Français d’Acoustique, Marseille (2022).

[C23] Q. Consigny, A. Paté, J.-L. Le Carrou et H. Genevois. Caractérisation par l’étude de l’impédance électrique d’un transducteur électrodynamique mécaniquement chargé par différents matériaux. In Congr&eagrave;s Français d’Acoustique, Marseille (2022).

[C24] Q. Consigny, A. Paté et J.-L. Le Carrou. Évaluation perceptive du niveau de quantification d’un signal vibrotactile. In Congr&eagrave;s Français d’Acoustique, Marseille (2022)

Diffusion de la culture scientifique (extrait)

[E2] J-L. Le Carrou. Vibro-acoustique de la harpe de concert. Musique et Technique, revue professionnelle de la facture instrumentale, n°3, 2008

[E3] F. Gautier, J-L. Le Carrou et V. Doutaut. Faire vibrer l'air avec une corde. Pour la Science, novembre 2008.

[D18] J-L. Le Carrou. Playing parameters and Vibro-acoustical behavior of the concert harp. World Harp Congress, Vancouver, Canada, 2011.

[E6] F. Gautier et J-L. Le Carrou. Dans les cordes d'une harpe. Hors-série de Pour la Science, août-Septembre 2018.

copyright informations

Journal of the Acoustical Society of America: these articles may be downloaded for personal use only. Any other use requires prior permission of the author and the Acoustical Society of America.

MAJ 19/10/23